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Puppet Offering: Difference between revisions
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→Composition: happy little tweaks here and there
WillIdleAway (talk | contribs) m (hmm, how about this caption for Puppet Offering!Ishikawa) |
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==Composition== | ==Composition== | ||
[[File:Jun Ishikawa.png|thumb|left|150px|The composer of "Puppet Offering", Jun Ishikawa, felt conflicted about how much he was scaling back the energy and horror in the track, only for director Shinya Kumazaki to tell him that the song was scary.]] | [[File:Jun Ishikawa.png|thumb|left|150px|The composer of "Puppet Offering", Jun Ishikawa, felt conflicted about how much he was scaling back the energy and horror in the track, only for director Shinya Kumazaki to tell him unprompted that the song was scary.]] | ||
"Puppet Offering" is one of five tracks generally associated with Hyness and the altar room of the [[Divine Terminus]]. It is composed in the style of [[wikipedia:gamelan|gamelan]], and the instrumentation consists of metallophones, a bowed string instrument, and a bassoon. | "Puppet Offering" is one of five tracks generally associated with Hyness and the altar room of the [[Divine Terminus]]. It is composed in the style of [[wikipedia:gamelan|gamelan]], and the instrumentation consists of metallophones, a bowed string instrument, and a bassoon. | ||
According to the ''[[Kirby Star Allies: The Original Soundtrack]]'' booklet, Jun Ishikawa was initially anxious about composing this track and [[La Follia d'amore|its sister track]], as [[Shinya Kumazaki]] had requested a "gamelan-like song", but gamelan is Indonesian religious music and has specific limitations to its musical scale. When he asked Kumazaki if the track was okay, Kumazaki responded, "If a real gamelan player hears this, will they think, 'Oh, was that supposed to be gamelan?' That's all that matters." Ishikawa was relieved after this, and continued composing without worrying about the limitations. [[Hirokazu Ando]] also joked that he was worried when he saw that Kumazaki requested a gamelan song, and was relieved that it didn't fall to him. | According to the ''[[Kirby Star Allies: The Original Soundtrack]]'' booklet, Jun Ishikawa was initially anxious about composing this track and [[La Follia d'amore|its sister track]], as [[Shinya Kumazaki]] had requested a "gamelan-like song", but gamelan is Indonesian religious music and has specific limitations to its [[wikipedia:slendro|musical]] [[wikipedia:pelog|scale]]. When he asked Kumazaki if the track was okay, Kumazaki responded, "If a real gamelan player hears this, will they think, 'Oh, was that supposed to be gamelan?' That's all that matters." Ishikawa was relieved after this, and continued composing without worrying about the limitations. [[Hirokazu Ando]] also joked that he was worried when he saw that Kumazaki requested a gamelan song, and was relieved that it didn't fall to him. | ||
Ishikawa composed "Puppet Offering" to be slightly less serious than "La Follia d'amore", as it is only the first phase of the battle. However, he was concerned that using a bassoon for the bass part would make the song too silly for its context in the game. Kumazaki reassured him, as he himself thought the song was scary.<ref>[https://gigi9714.wordpress.com/2021/12/31/kirby-star-allies-the-original-soundtrack-sound-staff-round-table-discussion/ Kirby Star Allies The Original Soundtrack – Sound Staff Round-Table Discussion (translation by Gigi]</ref> | Ishikawa composed "Puppet Offering" to be slightly less serious than "La Follia d'amore", as it is only the first phase of the battle. However, he was concerned that using a bassoon sample for the bass part would make the song too silly for its context in the game. Kumazaki's response reassured him, as he himself thought the song was scary.<ref>[https://gigi9714.wordpress.com/2021/12/31/kirby-star-allies-the-original-soundtrack-sound-staff-round-table-discussion/ Kirby Star Allies The Original Soundtrack – Sound Staff Round-Table Discussion (translation by Gigi]</ref> | ||
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