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Kirby 25th Anniversary Orchestra Concert: Difference between revisions
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*[[Masahiro Sakurai]] and [[Makiko Ohmoto]] were both featured guests at the concerts, albeit Sakurai was only present in the April 16th and June 18th performances. Makiko herself participated in bonus commentary between tracks, performed a rendition of ''[[The Noble Haltmann]]'', and demonstrated [[Kirby's voice]] live. | *[[Masahiro Sakurai]] and [[Makiko Ohmoto]] were both featured guests at the concerts, albeit Sakurai was only present in the April 16th and June 18th performances. Makiko herself participated in bonus commentary between tracks, performed a rendition of ''[[The Noble Haltmann]]'', and demonstrated [[Kirby's voice]] live. | ||
*Free music sheets of "Kirby's Adventure Medley" and "King Dedede & Meta Knight Medley" are available on the official website ([https://www.kirby.jp/music/score/eng/ distribution link]). | *Free music sheets of "Kirby's Adventure Medley" and "King Dedede & Meta Knight Medley" are available on the official website ([https://www.kirby.jp/music/score/eng/ distribution link]). | ||
*The ending of "Kirby's 25th Anniversary: Grand Opening" references the ending of "Gourmet Race to Green Greens: Chamber Music" from the [[Kirby's Dream Collection Special Edition Compilation Soundtrack]]. Likewise, a section in the Kirby Air Ride Medley references the arrangement of "The Legendary Air Ride Machine" from [[Super Smash Bros. Brawl]]. | *The ending of "Kirby's 25th Anniversary: Grand Opening" references the ending of "Gourmet Race to Green Greens: Chamber Music" from the ''[[Kirby's Dream Collection Special Edition Compilation Soundtrack]]''. Likewise, a section in the "Kirby Air Ride Medley" references the arrangement of "The Legendary Air Ride Machine" from ''[[Super Smash Bros. Brawl]]''. | ||
**Both of these references come from specific rearrangements done by Shogo Sakai, which might explain their inclusions here, given his contributions toward the concert as a whole. | **Both of these references come from specific rearrangements done by Shogo Sakai, which might explain their inclusions here, given his contributions toward the concert as a whole. | ||