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Editing La Follia d'amore
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==Composition== | ==Composition== | ||
[[File:Jun Ishikawa.png|thumb|left|150px|"La Follia d'amore" | [[File:Jun Ishikawa.png|thumb|left|150px|Shinya Kumazaki considers "La Follia d'amore" to embody the style of its composer, Jun Ishikawa, and in particular his sense of vitality and energy.]] | ||
"La Follia d'amore" is one of five tracks generally associated with Hyness and the altar room of [[the Divine Terminus]]. It is composed in the style of [[wikipedia:gamelan|gamelan]], and the instrumentation consists of metallophones, a bowed string instrument, and a bassoon. After a foreboding, mostly gamelan-like seven-second introduction, the track kicks into an energetic ''allegro'' beat of around 165 bpm, featuring heavy percussion and bass and combining frenetic string and metallophonic samples for the melody. Past the one-minute mark, the song becomes increasingly electronic, then slows to a leisurely ''andante'' pace of around 85 bpm. After maybe a half-minute reprieve, the song loops back to the high-energy beat of the start. | "La Follia d'amore" is one of five tracks generally associated with Hyness and the altar room of [[the Divine Terminus]]. It is composed in the style of [[wikipedia:gamelan|gamelan]], and the instrumentation consists of metallophones, a bowed string instrument, and a bassoon. After a foreboding, mostly gamelan-like seven-second introduction, the track kicks into an energetic ''allegro'' beat of around 165 bpm, featuring heavy percussion and bass and combining frenetic string and metallophonic samples for the melody. Past the one-minute mark, the song becomes increasingly electronic, then slows to a leisurely ''andante'' pace of around 85 bpm. After maybe a half-minute reprieve, the song loops back to the high-energy beat of the start. | ||